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1. #Reikan Focal Focal 2.0 Pro Vs Series Of 40
2. #Reikan Focal Focal 2.0 Pro Vs Software Utility Designed
3. #Reikan Focal Focal 2.0 Pro Vs Plus If You

Reikan Focal Focal 2.0 Pro Vs Software Utility Designed

However, the Focal are slightly better-built headphones but are also bulkier.Announced in February 2017 it might be considered the successor to Sigma’s 120-400mm f4.5-5.6 OS that has been no longer available for some time now. They might not feel as comfortable as the Focal because of their tighter fit, but they have great audio reproduction to reproduce tracks accurately. FoCalThe Sigma 100-400mm f5-6.3 OS is a long telephoto zoom available in mounts for Canon, Nikon and Sigma DSLRs with full-frame sensors and can also be used with Sony E-Mount bodies using Sigma’s MC-11 mount converter.The Beyerdynamic DT 1770 PRO are better headphones than the Focal Elegia. Reikan Technology Ltd FoCal 2.0.5 Introduction 10 1 Introduction FoCal is a software utility designed to control a Canon or Nikon DSLR camera and automate the process of choosing the perfect AF Microadjustment/Fine Tune value for the attached lens. Setup: Laptop PC > Room EQ Wizard > Motu M2 audio interface > B&K 1704-C-102 CCP signal conditioner (USB bus power) > GRAS RA0402 pre-polarised high resolution IEC603318-4 coupler > GRAS KB5000/KB5001 artificial pinna (right and left respectively) For further. A guide to reading frequency response graphs of headphones and IEMs.

Reikan Focal Focal 2.0 Pro Vs Plus If You

The reviewer purchased the review software.As usual I’ll have a look at the technical data of the Sigma first. Via download, the program is priced at 19.95 for the Standard version, 39.95 for FoCal Plus and 69.95 for FoCal Pro. Videos you watch may be added to the TV's watch history and influence TV recommendations.FoCal is available to purchase via the Reikan site. If playback doesn't begin shortly, try restarting your device. And this all comes at a low price: 800 USD / 900 EUR is one of the most affordable of any modern zoom reaching 400mm focal length.Reikan Technology Ltd FoCal 1.9.9 Introduction 10 1 Introduction FoCal is a software utility originally designed to control a Canon or Nikon DSLR camera and.Reikan FoCal is a software tool that takes control of your camera, guides you through the setup and fully calibrates your camera autofocus with minimal interaction from you. And as you would expect from any new Sigma lens it is compatible with their USB-dock to fine tune various characteristics of AF and image stabilization, plus if you change bodies, you can pay to have the mount swapped for your new system.

That may not seem much in light gathering power but it certainly is one of the major reasons for differences in price and weight.Size (diameter x length): 86 x 182 mm (3.4 x 7.2 in.), the lens hood adds 60 mm (with a diameter of 97 mm). Keep in mind that both the Canon and Nikon lenses are a third of a stop faster than the new Sigma. For comparison I use the Nikon 80-400mm f4.5-5.6G VR (“Nikon” for short) and the Canon EF 100-400mm f4.5-5.6 L IS II (“Canon”).

So the new Sigma is by far the lightest zoom reaching 400mm although it gives up a third of a stop in focal ratio to achieve this. Optics: 21 elements (including 4 special dispersion elements) in 15 groups vs. 20 elements in 12 groups for the Nikon and 21/16 for the Canon. The Canon is around 1570 g (incl. The Nikon is 1471 g (w/o tripod collar of 93 g) the lens hood adding another 95 g. The Canon is 94 mm in diameter and 193 mm long (w/o lens hood and at 100mm focal length). Weight: 1147 g (40 oz.) plus 66 g for the plastic lens hood. The Nikon is 96 x 204 mm with the lens hood and zoom adding another 86+56 mm to a total maximal length of 346 mm. The zoom can be locked at 100 mm.

Focal ratio: the maximum aperture is reduced when the lens is zoomed out. The Canon goes much closer to 0.98 m and offers a magnification of 1:3.2. The Nikon does only 1:5 at 1.5 m in manual focus. This is a very usable magnification. Closest focus distance is 1.6 m (5.2 ft.) with a magnification of 1:3.8 although I was able to get down to 1:3.4 at 1.47 m with manual focus.

Filter-thread: 67 mm. The Nikon and Canon need 77mm, the professional standard. The Nikon has the following focal ratios: f/4.5 up to 95mm, f/4.8 up to 130mm, f/5.0 up to 175mm, f/5.3 up to 240mm and f/5.6 beyond that. Focal ratios smaller than f/5.6 might not work too well with focus points outside the central one on some (older) cameras.

Manual-focus in single-servo AF (AF-S) override is by simply turning the focus ring. Auto focus: HSM (Hyper Sonic Motor), so it also works on camera bodies which don’t have an AF-drive built in like Nikon’s D3x00/5×00. You can also customize OS operation via the USB-dock to be more effective for stabilizing the view-finder and shooting video or for shooting stills. OS mode 1 is the normal operation while OS mode 2 is for panning. This is indispensable when handholding at long focal lengths.

The lens hood is included, reversible for transport, and the lens-caps are standard. Comes without lens pouch or strap. That’s pretty cheap in comparison: The Nikon goes for 2400 EUR and the Canon is around 2000 EUR. Price: around 900 EUR (incl. Same with the competition.

Sealing: yes, a rubber grommet at the lens-mount but no further special weather-sealing. The aperture is actuated electromagnetically in the Nikon-version too which makes it the equivalent of a modern E-type Nikon lens and puts away with the mechanical coupling that Nikon uses on all older lenses. Aperture ring: no, same as with the competition. Distance information is relayed to the camera, so the camera and flashes can do all the advanced exposure-related stuff with this lens. That means you have to dangle the full weight of the lens from the camera body when you use a tripod.

Canon users can get the EF 100-400mm f4.5-5.6 L IS II USM from 2014. The major issue is the missing tripod collar, the major benefits are the low weight, its relatively small size and the low price.Above left: Nikon 80-400mm f4.5-5.6G VR, above right: Sigma 100-400mm f5-6.3 OS The score in the “features-department” is 1/5/10. The Canon is also weather-proofed.

At 94 x 205 mm and 1395 g it’s about the size and weight of the Nikon. Sony offers the brand new FE 100-400mm f4.5-5.6 GM OSS from 2017 for E-Mount. See my Nikon 80-400mm f4.5-5.6G VR review. It costs around 2400 EUR and its optical performance earned it a Highly Recommended. Nikon has the AF-S 80-400mm f4.5-5.6G ED VR from 2013. Tests indicate very good optical performance.

The big benefit is the additional 200mm at the long end which give you 50% more reach/magnification. They cost around 900 EUR (if you’re happy to use Tamron’s 1st generation lens, the G2 is at around 1400 EUR). If you’re looking for an affordable (but physically larger) telephoto zoom you might also consider the stabilized 150-600mm f5-6.3 offerings from Sigma (contemporary version) or Tamron. The lens also offers a unique mechanism whereby you can adapt the stiffness of the zoom ring to your liking. It offers a focus hold button that can be reprogrammed for different tasks, its front-element is coated for easier cleaning, and the lens is thoroughly sealed against the elements.

Reikan Focal Focal 2.0 Pro Vs Series Of 40

And there is only a slight performance variation whether the lens focuses from infinity or from a closer distance. Repeatability (the accuracy of focus on the same subject after repeated focus-acquisition) of this lens at standard settings and 400mm focal length is pretty good (measured 97.8% in Reikan FoCal) with 1 mild outliers over a series of 40 shots. Otherwise the performance is very convincing and the 2nd generation Tamron earned a Recommended in my Tamron SP 150-600mm f5.0-6.3 VC G2 review.Here is the angle of view that the new Sigma 100-400mm covers with its 4x zoom:Above: Sigma 100-400mm f5-6.3 OS coverage on Nikon D810 (FF/FX) body at 100mm (left) and 400mm (right)Compare this to the 5x coverage of the Nikon 80-400mm:Above: Nikon 80-400mm f4.5-5.6G VR coverage on Nikon D810 (FF/FX) body at 80mm (left) and 400mm (right)Focus accuracy and repeatability is critical to consistently produce sharp shots.

The image stabilization is virtually silent both on the outside and when recording video.As you pull focus, you’ll notice some focus breathing: the image becomes more magnified at closer focusing distances. But there seem to be two drive-modes during a contrast based focus operation: in slow mode noise is very low while in high-speed mode the camera records a noticeable hiss. So it’s good you can lock the zoom at 100 mm.AF-operation is barely audible from the outside, and if you record video with the built-in microphone the AF-drive produces no clicks at the start or stop of focus-movements. This works pretty well but also means that the lens is prone to zoom-creep.